Dark Angels Intercessor — Painting Recipe

1. Usual starting point: prime with Colour Forge Renegade Green.
2. Spray Colour Forge Salamander Green from above to create a zenithal highlight, leaving lower surfaces darker.

Black-primer alternative: Use Colour Forge Matt Black or Colour Forge Raven Black instead of the initial green primer. Either works for this recipe; follow with the same overhead green primer pass.

This provides a green foundation suitable for tabletop use while the full paint job is pending. It is an intentional stopping point even though the later airbrush layers may cover much of the spray gradient.

Black Green base, zenithal & restrained volume highlights

1. Airbrush AK 3GEN Black Green over the green armor, including the belt buckle, thinned 1:1 with AK Airbrush Thinner, usually at 15–20 PSI.
2. Mix 1 part AK 3GEN Black Green : 1 part AK 3GEN Color Punch Greenskin Punch. Airbrush a generous zenithal highlight from above over the armor, leaving the lower areas darker.
3. Switch to the bottled 2 parts AK 3GEN Color Punch Greenskin Punch : 1 part AK 3GEN Color Punch Slime Green mix. Add restrained but bright volume highlights on prominent points: the tops of shoulders, backpacks, heads, and any other features that call for emphasis.

For both highlight passes, thin 1 part prepared paint mixture : 1 part AK Airbrush Thinner and use the usual 15–20 PSI. Keep the final 2:1 pass focused on the prominent volumes. Reserve the bottled 1:1 Greenskin Punch / Slime Green mix for the layered brush edge highlights in Step 8.

Targeted panel lining

1. Let the green armor paint dry, then use AK Precision Panel Liner Sepia. Sepia gives the preferred shadows against this green armor; use it for the armor lining. Black panel liner is reserved for the forward grips and awkward black details described in Step 4.
2. Apply small, targeted amounts directly to the dry armor panel lines and cavities, letting the liner flow along the recesses to create defined shadows.
3. Do not apply this as an all-over wash. Keep it off the broad green panels so they retain their color.
4. Skip the exposed rubber joints during the Sepia armor pass; paint them in Step 4. That step also covers targeted Black panel liner for hard-to-reach black details.

This is an enamel panel liner, so the acrylic paint-thinning ratios do not apply. Allow it to dry before painting over it or applying varnish.

Cleanup if needed: Spirits can be used to lift excess liner with a cotton bud (Q-tip) barely dampened with white spirit and a very gentle touch; avoid scrubbing or soaking the surface. No extra varnish stage is required in this workflow. Alternatively, let stray liner dry and paint over it during Step 8: armor cleanup and highlights. There is no need to perfect every line now.

Finish the ground, gold street features, and rim before the marine’s small details. Work across the squad one color at a time, allowing each layer to dry before the next.

Ground — Ash Grey into Graphite Grey

1. Basecoat the primed scenic ground and stone with Army Painter Fanatic Ash Grey. Build even, opaque coverage over the whole surface, including recesses and any green overspray. This is a full basecoat, not a skim or drybrush; no Eshin Grey undercoat is needed.
2. Once the Ash Grey is dry, apply Pro Acryl 1-Step Graphite Grey over the scenic ground to establish its grey tone and shading. Let it dry before painting the gold details.

If the ground reads too dark, replace Ash Grey with Army Painter Fanatic Company Grey or Brigade Grey for a brighter foundation. These are alternatives, not extra layers. Avoid Citadel Wraithbone here; it made this ground treatment too bright in previous tests.

Gold street features — complete the full treatment

1. Apply thin, opaque coats of AK 3GEN Silver Grey over the entire feature, including its sides, recesses, and lettering. Let the foundation dry.
2. Cover the full prepared feature with AK Quick Gen Old Gold and let it dry.
3. Shade with undiluted Citadel Reikland Fleshshade. Deep recess shadows help the gold lettering stand out. Keep the shade on the gold feature and let it dry.

Base rim — Eshin Grey

Paint the rim with an even coat of Citadel Eshin Grey. Keep the rim clean; touch it up later only if subsequent painting or weathering marks it.

Base painting complete. Leave pigment weathering for Step 12, after the protective varnish coats. Any stray marks on the green armor can be corrected together in Step 8.

Forward grips — Ironclad Grey & Black liner

1. Basecoat forward grips (foregrips) with Army Painter John Blanche Masterclass Ironclad Grey as the default. Batch any other details using Ironclad Grey at the same time.
2. Let the acrylic basecoat dry, then shade the forward grips with AK Precision Panel Liner Black, working small amounts into the grip texture and recesses. Keep the liner confined to the grip.

Other black details & awkward spaces

Use Citadel Contrast Black Legion for exposed rubber armor joints, sword and knife handles, and other non-metallic black grips where its flow is helpful. Army Painter John Blanche Masterclass Ironclad Grey remains an acceptable near-black grey alternative when a softer black suits the area. Batch matching areas by the chosen paint.

Hard-to-reach black details: where brushing Black Legion into a cramped space risks making a mess on the surrounding green armor, use a small, targeted application of AK Precision Panel Liner Black instead. Keep it on the intended black detail to reduce avoidable armor cleanup. Use Sepia for the green armor panel lines.

Allow the liner to dry before painting over it. Where appropriate, highlight the black or near-black details with Army Painter Fanatic Deep Grey. If any liner strays, use the optional gentle spirits correction in Step 2 or paint over the dried mark during the shared armor cleanup in Step 8.

Pistol handles: leave exposed pistol handles for Scale75 Black Metal in Step 7, including handles protruding from holsters. Keep the leather holster in the leather batch below.

Leather — optional Sepia pin wash

1. Basecoat all leather straps, belts, holsters, and bags with AK 3GEN Hull Red.
2. Optional: once the Hull Red is dry, add a targeted AK Precision Panel Liner Sepia pin wash to seams, folds, and recesses where extra contrast would help. Keep it localized rather than washing the entire leather surface. Use this extra pass when the desired finish warrants it; skip it for a simpler model. Let the liner dry before highlighting.
3. Add subtle highlights with AK 3GEN Color Punch Beast Brown. The restrained contrast is intentional.

Silver Grey — standard aquilas & seal wax

Apply thin, opaque coats of AK 3GEN Silver Grey to the standard chest aquilas and all purity-seal wax. Batch these foundations across the squad. Work carefully around any weapon crossing the chest, then let the paint dry.

Aquila alternative: Citadel Wraithbone may replace Silver Grey on the aquila only. Keep Silver Grey on the wax seals.

Standard aquilas — Skeleton Horde 1:1

Mix 1 part Citadel Contrast Skeleton Horde : 1 part Citadel Contrast Medium or Citadel Lahmian Medium, choosing either medium. Apply over the dry pale undercoat to shade and tint the aquila to a warm bone color. Let it dry before painting the nearby weapons.

Oath paper — Light Earth, Dark Brown & writing

1. Basecoat all purity-seal oath paper with AK 3GEN Light Earth. Build smooth, opaque coverage with thin coats and let it dry.
2. Shade the folds and recesses of the dry Light Earth parchment with AK Precision Panel Liner Dark Brown. Keep the application targeted, leaving the broad paper surfaces in Light Earth.
3. Let the panel liner dry before adding the writing. Touch up with Light Earth if needed.
4. Use AK 3GEN Color Punch Afro Shadow to paint tiny, broken lines and short strokes that suggest handwritten text. Keep the marks fine, with some Light Earth visible between them.

Batch any stray marks on the surrounding green armor into the shared cleanup in Step 8.

Sergeant aquilas — gold,Imperial Gold, shade & raisedselective featherscleanup

For sergeants only, use this gold treatment instead of the bone recipe. Complete the basecoat, wash,shade, and raised-faceany restorationneeded midtone cleanup before the red weapons in Step 6. OptionalAdd matching-metaloptional reflectionsBase follow/ Light highlights after all varnishing in Step 13.

1. Basecoat the chest aquila with ProVallejo AcrylTrue RichMetallic Metal Imperial Gold Base (77.123). Work carefully around any weapon crossing the chest, then let the gold dry.
2. Mix 21 partspart CitadelImperial SeraphimGold SepiaShade : 1 part ArmyVallejo Painter SpeedpaintXpress Medium, andthen washadd a small drop of the aquila.premixed AnVallejo all-overFlow washImprover suits/ itsVallejo Thinner blend. Wash the aquila, letting the shade define the closely packed feathers. Avoid pooling and let it dry; preserve the recess definition when restoring the raised gold.dry.
3. Once the shade is dry, use restoreVallejo RichTrue Metallic Metal Imperial Gold Airbrush (77.163) to restore the midtone on selected accessible raised feather facesfeathers and central details only where cleanup is needed,. leavingThis thin formulation is a cleanup paint, not an obligatory full re-layer. Preserve the shaded groovesgrooves; and wanted aged tone visible. Useuse a lightly loaded pointed brush and short strokes; no drybrush is needed near the armor.strokes. Let the goldit dry before painting the nearby weapons.

Why now: Weapons often obstruct the aquila. Painting it first lets Step 6 cover any accidental gold on the casing, avoiding gold marks on finished red weapons. The sergeant’s helmet ornament and pauldron rims stay in the Step 7 gold batch.

Purity-seal wax — Doomfire Magenta

Apply Citadel Contrast Doomfire Magenta over the dry Silver Grey foundations prepared at the start of this step.

Eye lenses — white base, red coat & bright highlight

1. Basecoat the eye lenses neatly with Pro Acryl Bold Titanium White. Let the white dry.
2. Apply a coat of Citadel Contrast Flesh Tearers Red over the white lenses and let it dry.
3. Let the red lenses dry. Add their small Pro Acryl Bold Pyrrole Red highlights with the shared red batch in Step 6, leaving some of the deeper Flesh Tearers Red visible for contrast.

1. Basecoat the weapon casings and 3rd Company marking on the model's left kneepad with AK 3GEN Wine Red.
2. Highlight both with Pro Acryl Bold Pyrrole Red, leaving Wine Red visible in the deeper areas. The weapon highlights can be broad; keep the knee marking neatly defined. Use the same paint for small highlights on the dry eye lenses prepared in Step 5, leaving some Flesh Tearers Red visible for contrast.

Work across the squad one paint at a time. Let the Wine Red basecoat dry before adding Bold Pyrrole Red.

Paint the larger red casings before their metallic fittings to minimize later metal touch-ups. For company-marking placement, consult the supplied Dark Angels marking reference. Left and right refer to the model's own sides.

Scale75 Black Metal

Apply an even coat of Scale75 Black Metal to all appropriate exposed steel details:

• Gun barrels and metallic weapon hardware.
• All exposed pistol handles, including handles protruding from holsters. Keep the surrounding leather holsters in the Hull Red treatment from Step 4.
• Other metal handles and fittings separate from the black or near-black grips painted in Step 4.
• Grenades and similar metal details.
• Backpack lower vents and upper exhausts: paint the vent interiors and exposed metal around the rounded exhaust housings.
• Helmet tubes entering the mask and accessible ports at the rear of the helmet.

Keep the belt buckle green with the armor. Keep the upper armor shell of each backpack exhaust green. Use the rear and side reference photos to identify this boundary.

Scale75 Black Metal normally needs no additional shade in this recipe. For brighter highlights or wear marks, use Scale75 Heavy Metal or Citadel Dry Necron Compound over the basecoat. Save any optional restoration of shine and reflective edge accents for Step 13, after all varnishing.

Blades and chainsword teeth: Default to Scale75 Black Metal. Add a brighter metal over that basecoat only where highlights or wear patterns call for it, using Scale75 Heavy Metal or Citadel Dry Necron Compound.

AK 3GEN Rusty Brass

Paint bullet shells, magazines, and other projectile ammunition with AK 3GEN Rusty Brass.

ProVallejo AcrylTMM RichImperial Gold — remaining marine gold

Use ProVallejo AcrylTrue RichMetallic Metal Imperial Gold Base (77.123) on:

• Knife and sword pommels and guards.
• Imperial symbols on weapons.
• Appropriate relics on the belt.
• Any other marine ornaments intended to be gold.

For sergeants only, include the helmet ornament or marking, if present, and pauldron rims. The chest aquila was already washed and restoredcompleted in Step 5. KeepLet smooththe shoulderbasecoat rimsdry unwashedbefore unless an actual recess needs definition.shading.

After all varnishing, optionallyadd restore selected reflections withoptional Rich1:1 Imperial Gold Base / Light highlights in Step 13.13, Keepstepping up to 1:2 Base / Light for selected brighter final accents.

Imperial Gold Shade — shade, then clean up only as needed

Shade the shaded, aged appearance visible; no separatedry gold highlight mixture is needed.

Seraphim Sepia / Speedpaint Medium — shade where the geometry benefits

For other intricate or recessed gold details, usewith 21 partspart CitadelImperial SeraphimGold SepiaShade : 1 part ArmyVallejo Painter SpeedpaintXpress Medium, whereplus a small drop of the premixed Vallejo Flow Improver / Vallejo Thinner blend. Avoid pooling and let it addsdry. definition.Use Smooth,Imperial roundedGold trimAirbrush generally(77.163) needs no wash. Let the shade dry, thento restore selected raisedmidtones surfacesonly with Rich Gold while keepingwhere the recessresult shadowsneeds andcleanup, wantedpreserving agedthe tone.shaded recesses. Shoulder rims need no midtone restoration.

The sergeant aquila was completed in Step 5 and the base’s Old Gold details in Step 3. Keep those paint batches in their existing steps. Optional marineMarine gold reflectionshighlights follow all varnishing in Step 13.

Repair stray marks

1. Paint over dried stray panel liner and other marks in dark, lower armor areas with AK 3GEN Black Green.
2. Use the bottled 2 parts AK 3GEN Color Punch Greenskin Punch : 1 part AK 3GEN Color Punch Slime Green mix where it matches a brighter area. Choose Black Green or the 2:1 mix according to the blemish’s position and surrounding color.

Why cleanup comes here: The base and detail colors are now finished, so correct stray shading and paint marks together in one armor-color batch before adding the edge highlights. This avoids repeatedly touching up the same areas as you work through earlier steps. The belt buckle follows the green armor treatment for cleanup and any edge highlights.

Layered brush edge highlights — bottled 1:1 mix

Use the bottled 1 part AK 3GEN Color Punch Greenskin Punch : 1 part AK 3GEN Color Punch Slime Green mix for the layered brush edge highlights. Build the highlights in controlled layers along upward-facing green armor edges. Keep the lines narrow, crisp, and strong enough to read on the tabletop, with emphasis toward the head and shoulders.

Include the green pauldron rims, upper helmet rim, tops of the helmet's ear details, and other upward-facing edges visible in the reference photos.

Sergeant exception: Keep gold pauldron rims gold; do not line them with the green mix.

Apply the chapter or Battleline transfer first, then layer the squad number where needed. The timing windows below are practical checkpoints; surface readiness determines when to continue.

Prepare with Pro Acryl Gloss Varnish

1. Make sure the paint is dry and thoroughly mix the Pro Acryl Gloss Varnish.
2. Apply one thin, smooth coat over the complete shoulder face, inside the trim. Airbrushing is convenient for a squad; a brush works for an individual shoulder.
3. Let the gloss dry until the surface is stable and no longer tacky before adding decal solutions. Check the surface rather than relying only on elapsed time.

Use Pro Acryl Gloss Varnish for both clear coats in this transfer stage. Continue with two thin coats of AK Ultra Matte Varnish in Step 10; a separate initial satin coat is optional, not required. Attach any vegetation in Step 11 and let its glue dry. Step 12 then uses a light final application of pure AK Ultra Matte Varnish after pigments.

Place the Battleline or chapter transfer

1. Cut the transfer out and wet its backing until it slides freely. About 10 seconds of soaking is a starting point, not a reason to force it off the paper.
2. Apply a small amount of Microscale Micro Set, slide the transfer into place, and align it carefully.
3. Gently wick away excess liquid. While positioning, a damp soft brush or tightly wound cotton bud can help settle it.
4. Wait about 5–10 minutes, until the transfer is no longer floating or easily shifting.

Conform the first transfer

1. Apply one light treatment of Microscale Micro Sol, using as few brush strokes as possible.
2. Leave it alone while it softens. Do not press, reposition, or touch a softened or wrinkled transfer.
3. Check after 30–60 minutes. Continue only when the transfer is dry, flat, and no longer soft. Repeat Microscale Micro Sol only where needed, allowing each application to dry.

Layer the squad number

For a squad number placed over the Battleline symbol:

1. Apply a small amount of Microscale Micro Set and place the number directly over the settled lower transfer. No intermediate gloss coat is needed in this workflow.
2. Position and wick gently without scrubbing the lower transfer.
3. Wait about 5–10 minutes, until the number stops floating.
4. Use Microscale Micro Sol only if needed to conform the number. Leave it untouched, and inspect after 30–60 minutes. Extend the wait if either transfer remains wet or soft.

Dry, clean if needed, and seal

1. After the final decal solution, give the transfers a few hours before sealing when practical; 3–4 hours is a same-day checkpoint, not a guaranteed dry time. They must be completely dry, settled, and no longer soft.
2. If visible adhesive or solution residue remains, gently remove it with a soft brush barely dampened with clean water. Do not rub across the transfers. Let the area dry completely; 30–60 minutes is a useful checkpoint after light cleaning. Skip this step if there is no residue.
3. Apply one thin, continuous coat of Pro Acryl Gloss Varnish over the complete shoulder face to seal the transfers and even the surface.
4. Let the sealing gloss dry until the surface is stable and no longer tacky before proceeding to Step 10.

Use small amounts of Microscale Micro Set and Microscale Micro Sol rather than saturating the shoulder. Favor natural drying; if using a hairdryer or air blower, keep it low and gentle and do not let airflow disturb a softened transfer.

The Microscale Micro Sol instructions likewise emphasize leaving the softened decal undisturbed until dry.

Inspect the base rim and touch up Citadel Eshin Grey only if needed; the initial rim coat was completed in Step 3. Let all paint, transfers, and sealing gloss dry before varnishing.

Default protection — AK Ultra Matte

1. Thoroughly mix the bottle of AK Ultra Matte Varnish. Use it as the default protective finish, without mixing in satin.
2. Airbrush the first thin, consistent all-over coat. Aim for a continuous film that lands lightly wet; avoid pooling or a dry, dusty spray. Let it dry before continuing.
3. Apply a second thin, consistent coat of AK Ultra Matte Varnish. Let this coat dry before attaching optional vegetation in Step 11, then adding pigments in Step 12. Work across the squad coat by coat, allowing each model to dry between applications.

Drying checkpoint: Check each coat after about 10–20 minutes in this humidity-controlled basement, with relative humidity kept below roughly 45–50%. Continue only when the surface is dry, stable, and no longer tacky; allow longer whenever needed. This is a working pause, not full cure.

Once the protective coats from Step 10 are dry, attach any grass tufts, flowers, and similar ready-made vegetation. Let the glue dry fully before pigment weathering and the final Ultra Matte pass in Step 12.

1. Dry-fit a few tufts or flowers with tweezers. Leave the finished stonework and gold street lettering visible where possible.
2. Choose a clean, firm contact point on the finished base. Clear any loose dust from that small spot so the glue bonds directly to the base.
3. Apply a small drop of PVA or suitable basing glue beneath the tuft or flower and press its base into place with tweezers. Keep glue out of the fibers and petals; follow the adhesive instructions for the material.
4. Let the glue dry fully before continuing to Step 12. The controlled final Ultra Matte pass will include the vegetation; avoid soaking the tufts or flowers.

Painted scenic pieces: resin plants or other additions that need priming and painting belong with the earlier base-painting work. This step is for ready-made vegetation and similar finishing details.

1. Once the protective coats from Step 10 and any vegetation glue from Step 11 are dry, apply Vallejo Pigment FX Natural Iron Oxide to selected base areas to suggest dark battle dust, ash, and scorched debris.
2. Add smaller amounts to the feet and shins to tie the marine into the base.
3. Use gentle airbrush airflow to remove excess pigment until the armor color and weathering are balanced.
4. After pigments, thoroughly mix pure AK Ultra Matte Varnish and apply light, thin passes. Aim for an evenly wetted film: lightly wet, without soaking the model or leaving a dry, dusty spray.

   Preserve the pigment texture: use a light final application to secure the pigments and establish the matte finish. Avoid saturating the pigment or building a heavy varnish layer over it. Keep the spray light over attached grass and flowers too; do not soak them.

   Include the metallic areas: keep the main metallic paint and shading beneath the protective varnish. Step 13 optionally restores selected reflections after this final Ultra Matte pass.

5. Let the final varnish dry and become stable and non-tacky before any optional metallic re-layering, gold edge highlights, or steel and brass accents in Step 13. Leave about 24 hours after the final varnish coat before gaming or transport in this workflow; the added paint and glue must also be dry.

Use a lightly loaded pointed brush and short, controlled strokes. Preserve the shaded, aged gold and avoid drybrushing the assembled aquila.

1. Wait until all varnishing is complete, including the light pigment-fixing pass in Step 12, and the finish is dry, stable, and no longer tacky.
2. Optional — restore steel and brass shine: re-layer selected, easily accessible faces with their matching base paint: Rich Gold, Scale75 Black Metal, or AK 3GEN Rusty Brass. Preserve recess shadows and wanted weathering. Let these selected layers dry.
3. Optional gold accents:highlights: usemix Rich1 part Imperial Gold Base (77.123) : 1 part Imperial Gold Light (77.103) for narrowgeneral highlights on raised feather ridges, central details, and clean shoulder-rim edges where a reflection is wanted.edges. Keep the accentsshading selectivevisible soand let the agedhighlights shadingdry.
4. Optional remainsbrighter visible.gold accents: step up to 1 part Imperial Gold Base : 2 parts Imperial Gold Light for selected sharp corners, feather tips, and small upper-facing points. Use this 1:2 mix sparingly.
5. Optional steel and brass accents: use Scale75 Heavy Metal or Citadel Dry Necron Compound for selected steel edges, and AK 3GEN Rusty Brass for matching brass edges. Keep these accents off the surrounding armor and batch them by metal color.
6. Keep the highlights narrow and selective, with a few tiny points on corners. Let them dry and leave them above the varnish. Another overall Ultra Matte coat would dull these fresh reflections again.

Protection: the underlying metallic paint retains its varnish layer. Any fresh re-layered areas and edge highlights sit above the varnish and are unvarnished; touch them up if they wear.